About me

Originally trained as a graphic designer, I later ran a successful jewellery design business before returning to painting and abstract art. I had begun exploring printmaking when lockdown arrived, and like many people, this period prompted a re-evaluation of my creative direction. It became the catalyst for a full return to painting.

I have now been painting full time for several years, drawing continual inspiration from my surroundings here in Cornwall. Moving here felt like coming home. I spend as much time as possible walking the coast path, but I’m most often found exploring the rocks and pebbles scattered across the many coves and beaches — rarely leaving without a small pebble finding its way into my pocket.

My work is strongly influenced by erosion and the weathering of natural surfaces. I am fascinated by cracks in rocks and pavements, the patterns they form, the shapes they create, and how those shapes fit together. I tend to look down at the ground beneath my feet rather than out towards the wider view. Alongside this, I maintain a strong interest in repeat pattern and typography — a clear nod to my graphic design background.

Printmaking has become an important part of my practice. I work extensively with monoprinting, using a Gelli plate to create richly textured, grungy prints that are often collaged into my paintings.

Alongside my studio practice, I enjoy teaching in-person monoprinting workshops. These sessions emphasise creative play and its importance for mental wellbeing, often combining printmaking with simple book structures — another long-standing passion. Please visit the Workshops tab to see upcoming sessions.